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tesina maturita sul sogno....mi serve qualcosa di inglese su alice's in wonderland e qualche altro collegamento sempre con l'inglese
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scusami anny
Lara^^ e laura bella, per favore, dovere aggiungere nelle vostre risposte la fonte dell'informazione.
mi servirebbe qualcosa proprio inerente al sogno in alice's in wonderland di lewis carroll e poi magari fare riferimento a qualche altro autore con il quale potrei paragonarlo...
Inglese= Finnegans Wake (La veglia di Finnegan) è una delle ultime opere (un romanzo anomalo) di James Joyce:La narrazione si svolge interamente all'interno di un sogno del protagonista
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Trama di Finnegans Wake di Joyce
Finnegans Wake (1939), a novel by James Joyce written in a highly innovative ‘dream-language’ combining multilingual puns with the stream-of-consciousness technique developed in Ulysses. The title is taken from an Irish-American ballad about Tim Finnegan, a drunken hod-carrier who dies in a fall from his ladder and is revived by a splash of whiskey at his wake. It also suggests that Fionn mac Cumhaill will return to be punished once more for his recurrent sins. The structure of the work is largely governed by Giambattista Vico's division of human history into three ages (divine, heroic, and human), to which Joyce added a section called the ‘Ricorso’, or return. It also systematically reflects Giordano Bruno's theory that everything in nature is realized through interaction with its opposite. The central figures of the Wake are Humphrey Chimpden Earwicker (HCE), Anna Livia Plurabelle (ALP), Shem the Penman, Shaun the Post, and Issy—respectively the parents, sons, and daughter living at the Mullingar Inn in Chapelizod, Co. Dublin. In a sense, however, these are not characters at all but aspects of the Dublin landscape, with the Hill of Howth and the River Liffey serving as underlying symbols for male and female in a world of flux. Other recurrent characters are the four old men, collectively called Mamalujo and modelled on the four evangelists and also an apostolic group of twelve who feature as clients in the pub, or members of a jury. The narrating voice of individual sections can generally be identified with one or other member of this polymorphous cast. In ‘Shem the Penman’, the autobiographical section of the work, Joyce describes the work as an ‘epical forged cheque’ made up of ‘once current puns, quashed quotatoes, messes of mottage’. The narrative line of Finnegans Wake consists of a series of situations relating to the sexual life of the Earwicker family. HCE perpetrates a sexual misdemeanour in the Phoenix Park. ALP defends him in a letter written by Shem and carried by Shaun. The ‘litter’ is retrieved by a hen scratching in the midden. The boys endlessly contend for Issy's favours. HCE grows old and impotent, is buried, and revives. Aged ALP prepares to return as her daughter Issy to catch his eye again; and the book ends with an unfinished phrase (‘… along the’) flowing into the first words of the first paragraph (‘river-run …’). Book I. ‘The Fall’ retells the story of Tim Finnegan against mythical and historical backgrounds ranging from the Tower of Babel to the Wall Street Crash. Book II. ‘The Mime of Mick, Nick and the Maggies’ is a matinée performance in ‘the Feenicht's Playhouse’ based on children's games and full of Dublin theatrical lore. In ‘Night-lessons’ the children are at their homework studying a classroom textbook to which Shem and Shaun add rubrics in the margins. ‘Scene in the Pub’ features two television plays: ‘The Norwegian Captain’ is a love-story concerning a hunchback sailor and the daughter of a ship's chandler; the other, ‘How Buckley Shot the Russian General’ is based on a Crimean story told by Joyce's father. In ‘Mamalujo’ the romance of Tristan and Isolde is narrated by the four old men in the guise of seagulls hovering above the lovers' boat. Book III. ‘The Four Watches of Shaun’ describes the passage of Shaun the Post along the Liffey in a barrel. Shaun's censorious attitude combines freely with a prurient interest in sexual matters. The ‘Yawn’ chapter is a seance or an inquisition. Lying at the centre of Ireland at the Hill of Uisneach in Co. Westmeath, Shaun reveals a treasure-trove of Irish culture whose contents are transmitted in a radio broadcast involving a welter of voices. Book IV. The ‘Ricorso’ is a triptych with St Kevin and St Patrick in the side positions and St Laurence O'Toole at the centre. Anna Livia's letter defending HCE is given its fullest statement. The Wake ends with her soliloquy. Joyce began Finnegans Wake in autumn 1922 by accumulating material in a notebook known as Buffalo Notebook. Many episodes appeared as separate publications between 1924 and 1932, during which time the book was known as ‘Work in Progress’ and its final title kept a secret. Joyce frequently compared the Wake to another complex Irish literary production, the Book of Kells. If Finnegans Wake is about creation on a theological scale, its characteristic amalgam of sadness and laughter marks it as a comic masterpiece.
Aggiunto 2 minuti più tardi:
Trama di Finnegans Wake di Joyce
Finnegans Wake (1939), a novel by James Joyce written in a highly innovative ‘dream-language’ combining multilingual puns with the stream-of-consciousness technique developed in Ulysses. The title is taken from an Irish-American ballad about Tim Finnegan, a drunken hod-carrier who dies in a fall from his ladder and is revived by a splash of whiskey at his wake. It also suggests that Fionn mac Cumhaill will return to be punished once more for his recurrent sins. The structure of the work is largely governed by Giambattista Vico's division of human history into three ages (divine, heroic, and human), to which Joyce added a section called the ‘Ricorso’, or return. It also systematically reflects Giordano Bruno's theory that everything in nature is realized through interaction with its opposite. The central figures of the Wake are Humphrey Chimpden Earwicker (HCE), Anna Livia Plurabelle (ALP), Shem the Penman, Shaun the Post, and Issy—respectively the parents, sons, and daughter living at the Mullingar Inn in Chapelizod, Co. Dublin. In a sense, however, these are not characters at all but aspects of the Dublin landscape, with the Hill of Howth and the River Liffey serving as underlying symbols for male and female in a world of flux. Other recurrent characters are the four old men, collectively called Mamalujo and modelled on the four evangelists and also an apostolic group of twelve who feature as clients in the pub, or members of a jury. The narrating voice of individual sections can generally be identified with one or other member of this polymorphous cast. In ‘Shem the Penman’, the autobiographical section of the work, Joyce describes the work as an ‘epical forged cheque’ made up of ‘once current puns, quashed quotatoes, messes of mottage’. The narrative line of Finnegans Wake consists of a series of situations relating to the sexual life of the Earwicker family. HCE perpetrates a sexual misdemeanour in the Phoenix Park. ALP defends him in a letter written by Shem and carried by Shaun. The ‘litter’ is retrieved by a hen scratching in the midden. The boys endlessly contend for Issy's favours. HCE grows old and impotent, is buried, and revives. Aged ALP prepares to return as her daughter Issy to catch his eye again; and the book ends with an unfinished phrase (‘… along the’) flowing into the first words of the first paragraph (‘river-run …’). Book I. ‘The Fall’ retells the story of Tim Finnegan against mythical and historical backgrounds ranging from the Tower of Babel to the Wall Street Crash. Book II. ‘The Mime of Mick, Nick and the Maggies’ is a matinée performance in ‘the Feenicht's Playhouse’ based on children's games and full of Dublin theatrical lore. In ‘Night-lessons’ the children are at their homework studying a classroom textbook to which Shem and Shaun add rubrics in the margins. ‘Scene in the Pub’ features two television plays: ‘The Norwegian Captain’ is a love-story concerning a hunchback sailor and the daughter of a ship's chandler; the other, ‘How Buckley Shot the Russian General’ is based on a Crimean story told by Joyce's father. In ‘Mamalujo’ the romance of Tristan and Isolde is narrated by the four old men in the guise of seagulls hovering above the lovers' boat. Book III. ‘The Four Watches of Shaun’ describes the passage of Shaun the Post along the Liffey in a barrel. Shaun's censorious attitude combines freely with a prurient interest in sexual matters. The ‘Yawn’ chapter is a seance or an inquisition. Lying at the centre of Ireland at the Hill of Uisneach in Co. Westmeath, Shaun reveals a treasure-trove of Irish culture whose contents are transmitted in a radio broadcast involving a welter of voices. Book IV. The ‘Ricorso’ is a triptych with St Kevin and St Patrick in the side positions and St Laurence O'Toole at the centre. Anna Livia's letter defending HCE is given its fullest statement. The Wake ends with her soliloquy. Joyce began Finnegans Wake in autumn 1922 by accumulating material in a notebook known as Buffalo Notebook. Many episodes appeared as separate publications between 1924 and 1932, during which time the book was known as ‘Work in Progress’ and its final title kept a secret. Joyce frequently compared the Wake to another complex Irish literary production, the Book of Kells. If Finnegans Wake is about creation on a theological scale, its characteristic amalgam of sadness and laughter marks it as a comic masterpiece.
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Alice in Wonderland is the title of one of the best productions realized by the Walt Disney Pictures Alice in Wonderland is the title of one of the best productions realized by the Walt Disney Pictures. This is the way in which the majority of people knows this story, considered a tale for children, even if Carroll Lewis ( 1832-1898 ), the author of the book, hid there, with the help of metaphors, some constructive teachings useful in the whole world. At the beginning Alice felt asleep during a lesson of history and she started to dream… when she saw a White Rabbit with a watch in its pawn who was running close to her saying “Oh dear! Oh dear! I shall be too late!”. The strange animal represents the curiosity of the children and, in fact, Alice began to followed him also through a hole in a tree, which took her in a magical world full of bizarre situations, landscapes and inhabitants. At the end of the gallery she found herself in a room with a very little locked door at the end, that portrays the obstacles you must face during your whole life. So, to pass trough it, she had to drink a liquid whose task is to reduce in size the drinker. But the talking door, before it, forgot to tell her that the key is on the table, which was very tall respect to Alice. For this reason she had to eat a biscuit that transform her in a giant, although she realized that in this way she cannot go by the other side of the door, where there is the White Rabbit. She started to cry, literally, a "see of tears": in fact this is another of Carroll's metaphor which meaning is that we live in a world based above all on the conventions, the way in which something is done that most people in a society expect and consider to be polite or the right way to do it, like for example the English tradition about the tea. After that the door suggested her to drink another time from the bottle: so she found herself 25cm tall and, even if she had not got the key, she could pass trough the door because of the see of tears she made. Alice's situation, reduce her seize and then enlarge, represents the fear she had got about the changes of her body, thanks to her growth. Then she saw the White Rabbit and she followed him going in a huge forest, symbol of the perdition, like in the Divine Comedy of Dante, an Italian author. There she met two twins, very stupid and fat, who, to catch her attention, started to tell her a story about some oysters and their curiosity; so Alice stopped to run to listen to the tale whose teaching is that trust is good, do not trust is better. After this meeting she knew some flowers that, seeing her very different from them, began to joke Alice: Carroll, in this circumstance, wanted to move a criticism against the society of his time, where it was more important the physical aspect, and above all the belonging to a social classes, than the real personality of a person.
Alice in Wonderland is the title of one of the best productions realized by the Walt Disney Pictures Alice in Wonderland is the title of one of the best productions realized by the Walt Disney Pictures. This is the way in which the majority of people knows this story, considered a tale for children, even if Carroll Lewis ( 1832-1898 ), the author of the book, hid there, with the help of metaphors, some constructive teachings useful in the whole world. At the beginning Alice felt asleep during a lesson of history and she started to dream… when she saw a White Rabbit with a watch in its pawn who was running close to her saying “Oh dear! Oh dear! I shall be too late!”. The strange animal represents the curiosity of the children and, in fact, Alice began to followed him also through a hole in a tree, which took her in a magical world full of bizarre situations, landscapes and inhabitants. At the end of the gallery she found herself in a room with a very little locked door at the end, that portrays the obstacles you must face during your whole life. So, to pass trough it, she had to drink a liquid whose task is to reduce in size the drinker. But the talking door, before it, forgot to tell her that the key is on the table, which was very tall respect to Alice. For this reason she had to eat a biscuit that transform her in a giant, although she realized that in this way she cannot go by the other side of the door, where there is the White Rabbit. She started to cry, literally, a "see of tears": in fact this is another of Carroll's metaphor which meaning is that we live in a world based above all on the conventions, the way in which something is done that most people in a society expect and consider to be polite or the right way to do it, like for example the English tradition about the tea. After that the door suggested her to drink another time from the bottle: so she found herself 25cm tall and, even if she had not got the key, she could pass trough the door because of the see of tears she made. Alice's situation, reduce her seize and then enlarge, represents the fear she had got about the changes of her body, thanks to her growth. Then she saw the White Rabbit and she followed him going in a huge forest, symbol of the perdition, like in the Divine Comedy of Dante, an Italian author. There she met two twins, very stupid and fat, who, to catch her attention, started to tell her a story about some oysters and their curiosity; so Alice stopped to run to listen to the tale whose teaching is that trust is good, do not trust is better. After this meeting she knew some flowers that, seeing her very different from them, began to joke Alice: Carroll, in this circumstance, wanted to move a criticism against the society of his time, where it was more important the physical aspect, and above all the belonging to a social classes, than the real personality of a person.
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